Now that the two dragons are constructed, it's time to paint. I wrestled with color schemes. In the end, I stuck with colors that I love for dragons, reds and yellows and oranges. I'm very satisfied with how they blend together. I also decided to paint the pair and put them back together before making the heads. I know it seems funny to do this. I call this "delayed gratification," something I've done precious little of over the course of my life. Making the head is my favorite part of building a dragon. I wanted to finish these two dragons before allowing myself the fun of finishing the faces. I don't know why exactly. I just did.
It is always easy at this stage it get enamored with the bright colors of the initial paint job. Everything looks so clean and pretty. But I'm reminded of what Bill Alexander used to say (he was the crazy but fun old coot that used to paint beautiful landscapes on TV with a house-painting brush). He would say that you, "can't have light without dark." To make these colors really stand out, and to enhance the details I've painstakingly added to these pieces, I needed to "blackwash" them. This is another term I coined over the years. I water down some black paint then paint a part of the project and wipe it off before it dries. Photographs never really do this justice, so you'll have to trust me about how great this works. Below is the female dragon after blackwashing. She looks dirty and her colors are certainly more muted. But she looks more like a dragon.
I do add some of the color back in the form of highlights. Again, these photos don't show the change as well as I would have liked. But I think you can get the idea. Below is a portion of the female's neck before highlights and then after. Can you see the difference? It's much more profound in person.
It is even more dramatic with the red on the male. Look at the male body after blackwashing. Now look at it with highlights added.
I also highlighted the belly plates of both dragons. The color here is really subtle.
I brushed water over the painted claws just to soften the paint. Then I scraped it off with a knife. Latex paint (or acrylic or any combination, so long as it is water soluble) will not stick to Fimo. In fact, as my fellow paper mache artist and friend Randloph correctly pointed out, the paint actually comes off easier if you have a lot of paint on the claws rather than just a little bit. So don't worry when you are painting around claws or teeth if you get paint on them. Rather, make sure you do get them covered in paint. The thicker the better. I really love seeing the claws and teeth emerge after being covered. The effect is dramatic.
Finally it is time to see if the two dragons still fit together (Are they still in love? Long distance relationships...in paper mache land that means a few feet apart...are very difficult to maintain.). A lot of shifting can happen during the construction and painting. I held my breath (not trying to be melodramatic here...Eddy just used his litter box in the next room) and twisted them back together. I was thrilled to find that they still fit together perfectly.
Reunited at last! Now....if they only had faces. Stay tuned.